Melvin Toledo Fine Art
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The painting process

5/10/2011

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I've been asked a few times about the thing I miss the most from Nicaragua. Most of the time I say my family, friends or food but if you ask me this time of year, I'd probably say not having to deal with allergies. It all started last year but I had forgotten how bad allergies can be. Ok,  now to business...
Still life, Atlanta artist
I wanted to show a little bit of the process that goes into creating a painting. I like to set up my composition and paint directly from life, but sometimes that's just not possible. I worked on the painting here using a series of photographs I took the last time I was in Nicaragua. My brother had brought bananas from my sister's coffee farm (banana plants and other trees are planted among the coffee plants to shade the coffee plants). I set up a still life composition using the bananas and my mother's old wooden box in order to take photos.


Using the digital images, I drew on newsprint and then transferred the image to the canvas. Next, I applied  a thin layer of burnt umber to the canvas and let it dry. Then I added the local color to each element in the painting starting with the background, then the wooden box, and finally the bananas, working to get the right values. 
Still life, Atlanta artist
Once this step was complete, I began to paint the next layer, adding detail and adjusting the values and colors as needed. 
Still Life, oil painting
The background is very simple, so I was able to move soon to the wooden box. Because the box does not have many details, it offers a good balance to the detail and movement in the bananas. 

 After a couple of days spent working on the bananas, I was finished with the painting:
Still life, oil painting
Bananas -- Oil on canvas 20 x 16 in
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